Award-winning musical conveys an important message, but is let down by its staging.
Articles by Ben Nielsen
The audience’s excitement might be contagious, but the production is far from perfect.
New work falls short despite fine performances and flashes of brilliance.
Luke Mullins leads a strong cast in Tennessee Williams’ 1944 classic.
It might be looking tired, but Wicked is still the ultimate musical feast.
In his second year as sole Artistic Director, Andrew Upton assembles impressive collection of works and Australian talent.
Theatre company’s unorthodox trilogy to be its most ambitious program yet.
Australian Brandenburg Orchestra announce season with what “promises to be a year of beautiful music making.”
Vivaldi bookends next year’s season but there’s a great deal more in between.
Contemporary adaptation of Emile Zola’s Thérèse Raquin will reinvigorate the work, almost 150 years after it was written.
Innovative research examines how musical pleasure leads to physiological stimuli.
Curtain up on ASO’s Beethoven Festival, but orchestra abandons stage for local railway station.
Bell Shakespeare and the ACO breathe life into the musings of Janáček, Smetana, and Mozart.