Review: Live review: Dido and Aeneas (Sydney Festival)
It’s Dido Jim, but not as we know it: Sasha Waltz’s decadent danced opera proves an occasionally baffling delight.
Clive Paget is a former Limelight Editor, now Editor-at-Large, and a tour leader for Limelight Arts Travel. Based in London after three years in New York, he writes for The Guardian, BBC Music Magazine, Gramophone, Musical America and Opera News. Before moving to Australia, he directed and developed new musical theatre for London’s National Theatre.
It’s Dido Jim, but not as we know it: Sasha Waltz’s decadent danced opera proves an occasionally baffling delight.
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