Bonnie & Clyde: the musical
Composer Frank Wildhorn and producer Joshua Robson discuss why the story of the famous bank robbers touches a nerve and why audiences root for them.
Deborah Jones is a writer specialising in dance. A former long-serving Arts Editor of The Australian, she is currently the newspaper’s national dance critic and also reviews musical theatre and theatre. She is the Sydney correspondent for London-based Opera magazine and Vancouver-based Dance International.
Composer Frank Wildhorn and producer Joshua Robson discuss why the story of the famous bank robbers touches a nerve and why audiences root for them.
Rafael Bonachela’s monumental work from 2018 returns with mostly new dancers but the same impact.
Stephanie Lake’s epic work Colossus kicked her career into another gear. What’s more, as well as creating contemporary dance for her own company, ballet companies are beginning to call.
A new dance entertainment choreographed by Amy Campbell has megawatts of energy but insufficient focus.
Our specialist writers analyse the arts on offer across the year.
Christopher Wheeldon uses Gershwin’s fascinating rhythms to reunite ballet and Broadway.
What have our opera and dance companies programmed this year?
Important premieres, revivals of loved repertoire, national and international tours, a new season for independents and more add up to a busy year for SDC.
There is an emphasis on West Australian talent and deep engagement with the community in the state opera company’s programming for next year.
Kanen Breen dazzles in a riotous production of Rameau’s comedy directed by Neil Armfield.
After nearly 20 years as The Australian Ballet's Chief Conductor and Music Director, Nicolette Fraillon is to leave the company in late 2022.
David Hallberg’s first year as Artistic Director of The Australian Ballet has been challenging, to say the least, due to COVID, but he is full of passion and high expectations for 2022.
Adelaide’s Restless Dance Theatre celebrates 30 years of groundbreaking work.