Review: The Woman in Black (Ensemble Theatre)
This long-running West End drama comes to the Ensemble Theatre in Kirribilli with few chills but plenty of thrills from its actors.
Deborah Jones is a writer specialising in dance. A former long-serving Arts Editor of The Australian, she is currently the newspaper’s national dance critic and also reviews musical theatre and theatre. She is the Sydney correspondent for London-based Opera magazine and Vancouver-based Dance International.
This long-running West End drama comes to the Ensemble Theatre in Kirribilli with few chills but plenty of thrills from its actors.
American Psycho: The Musical’s horrifyingly funny critique of late-20th-century consumerism earns its revival.
Pamela Rabe is an unforgettable Ranevskaya in Eamon Flack's production of Chekhov’s last play for Belvoir.
Angela Goh extends her 2020 Keir Choreographic Award-winning solo and makes another winner.
On the eve of a new ballet, we ask why Tolstoy’s novel still inspires so many adaptations.
This month’s concert highlights from ABC Classic, independent radio and streaming.
Mitchell Butel’s witty direction gives early Cavalli an enticing 21st-century makeover.
Joanna Murray-Smith’s much-performed Honour gets a thoughtful revival and a little makeover.
Former dancers from Queensland Ballet express their sadness at the loss of Liam Scarlett, while Alexei Ratmansky writes on Facebook that Scarlett's knowledge he had no future as a choreographer "killed him".
One of Britain's most feted choreographers, until allegations of sexual misconduct brought his career to an abrupt end, has died at the age of 35.
Senior citizens cut a rug in this musical about growing old disgracefully.
Carmel Dean’s exhilarating new song cycle celebrates women through the ages.
Journalist Sally Sara’s fictionalised account of life as a foreign correspondent takes its audience behind the headlines.