A Grooving Noongar Opera
After the success of Koolbardi wer Wardong, Gina Williams and Guy Ghouse have written a second (and maybe last) Noongar opera together.
Jo Litson is the Editor of Limelight Magazine. She took up the position in late 2018 having joined the magazine as Deputy Editor in 2016. During a 35-year career as an arts journalist she has been a contributor to numerous publications including Limelight, The Australian, The Bulletin, and the Qantas magazine. She was the arts writer and theatre reviewer for The Sunday Telegraph for 12 years until 2018, and has written the labels for the Archibald Prize for the Art Gallery of New South Wales for over 20 years.
After the success of Koolbardi wer Wardong, Gina Williams and Guy Ghouse have written a second (and maybe last) Noongar opera together.
This month’s concert highlights from ABC Classic, independent radio and streaming.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
The latest arts appointments and departures.
Sophia Brous discusses her site-specific work The Invisible Opera, which explores the concept, dynamics and paradoxes of a public space.
A round-up of our recent news reports.
Starting 2024 as Violetta in her Opera Australia debut, soprano Samantha Clarke has a big year ahead.
Trevor Ashley's latest adults-only panto goes under the sea for a raucous mash-up of a beloved movie and a cult TV series.
When Dr Shirley Trembath became too ill to complete her biography of Roy Shepherd, Martin Comte agreed to take it on. He explains how and why.
Mark Kilmurry and Jamie Oxenbould enter the world of amateur theatre in their new play Midnight Murder at Hamlington Hall.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
Five contemporary operas, a bigger Melbourne presence, more women conductors and directors – Jo Davies' inaugural season suggests a change of direction for OA.
Eliza and Harry Sdraulig are leading their own musical careers. But occasionally, the siblings’ paths cross.