Sydney Morning Herald names new theatre critics
Joyce Morgan and John Shand will share the role of SMH theatre critic following Jason Blake's departure.
Jo Litson is the Editor of Limelight Magazine. She took up the position in late 2018 having joined the magazine as Deputy Editor in 2016. During a 35-year career as an arts journalist she has been a contributor to numerous publications including Limelight, The Australian, The Bulletin, and the Qantas magazine. She was the arts writer and theatre reviewer for The Sunday Telegraph for 12 years until 2018, and has written the labels for the Archibald Prize for the Art Gallery of New South Wales for over 20 years.
Joyce Morgan and John Shand will share the role of SMH theatre critic following Jason Blake's departure.
Concerned that Jason and Elissa Blake's new online arts platform Audrey Journal is a conflict of interest, Fairfax Media has stopped using them as contributors.
A centenary production of Bernstein's Candide and Joby Talbot's Path of Miracles join three 18th-century choral masterpieces.
Beautifully staged and danced, each of the three works has its moments but the choreography needs more of a dynamic.
Misty Copeland makes a highly anticipated role debut in a breathtakingly beautiful production.
More change at the Orchestra as part of "a restructure". Meanwhile Alondra de la Parra goes on maternity leave, returning to Brisbane in July.
Addressing staff, Rory Jeffes emphasises that Opera Australia has zero tolerance for bullying, discrimination or harassment.
David Lewis, a member of the Opera Australia Chorus for 25 years, will appear in court in early December charged with historic child sex offences.
The renowned musical theatre performer is relishing being in Eddie Perfect's new satirical "play with songs" about the Australian obsession with real estate.
Following a statement of support by musicians, Greg Wanchap responds to reports that low morale has led to a large turnover of staff.
The Orchestra's Chairman refutes an "aggressive" story, but a former employee corroborates some of the criticisms.
The Australian composer will see revivals of two of his musicals playing simultaneously in January.
The Kiwi baritone talks about why the concert was such a hit and why he’s happy he has lots of opera in his diary.