Lynden Barber

Lynden Barber

Lynden Barber is a film and TV commentator of three decades standing and a screen studies teacher. His credits include reviewing for the Sydney Morning Herald, The Australian and The Guardian, and the artistic directorship of the Sydney Film Festival. He has reviewed films for Limelight since 2007.


Articles by Lynden Barber

Film Review

Review: Bully (Lee Hirsch)

This US documentary on bullying arrives on the back of a Stateside ratings furore that led to it initially being released unrated after censors absurdly classified it “R” on language grounds. That rating (later softened after cuts) would have prevented under-17-year-olds from seeing the film in cinemas – precisely the audience that should be exposed to this moving and sometimes enraging film about entrenched behaviours that virtually everyone will recognise from their own school days, whether as former victims, perpetrators or both. That the film is set in the US Bible Belt is bitterly ironic given the determinedly non-Christian behaviour it depicts, habitually accepted as “just one of those things that are hard to police” by complacent school staff. Director Lee Hirsch divides the running time between the parents of two teenage suicide victims, a handful of children still being bullied, the views of their school officials, and an incendiary public meeting. The bullying – both verbal ostracism and physical violence – focuses on any kid seen by their peers as weak or different, whether they be a tomboyish lesbian or a sensitive introvert with an unusual face. There are some powerful moments here in a film that will give…

August 24, 2012
Film Review

Review: Beasts of the Southern Wild

The extraordinary directorial debut of US director Benh Zeitlin is one of those special US independent films that come along too rarely. Not another lazy comedy full of slackers making cynical wisecracks, this is a genuinely original film with a mythic dimension that makes it sit even bigger in the imagination than it does on the screen. The story is seen from the viewpoint of a feverishly imaginative six-year-old African American girl named Hushpuppy (Quvenzhané Wallis), who lives with her father in a ramshackle community on the wrong side of a Mississippi levee and obsesses about her absent mother. Her world is one where mythical, boar-like creatures mix with stories of the melting of the polar ice caps and a real-life flood of Biblical proportions. Though this catastrophic event is obviously inspired by Hurricane Katrina, the real-life event is never mentioned; the film aims for something timeless and achieves it. Zeitlin captures a miraculous performance from Wallis, and despite his regrettable weakness for the overuse of shakycam, creates a powerful sense of place in his mixture of the fantastical with the everyday. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

August 24, 2012