On Screen: March 2022 – French Film Festival
Lynden Barber finds corruption and lost illusions a major theme in this year’s Alliance Francaise French Film Festival.
Lynden Barber is a film and TV commentator of three decades standing and a screen studies teacher. His credits include reviewing for the Sydney Morning Herald, The Australian and The Guardian, and the artistic directorship of the Sydney Film Festival. He has reviewed films for Limelight since 2007.
Lynden Barber finds corruption and lost illusions a major theme in this year’s Alliance Francaise French Film Festival.
Lynden Barber finds Australian elements increasingly popping up in streaming TV.
A British true story captures the spirit of the great Ealing comedies.
Lynden Barber surveys the TV fashion for holiday stories, where exotic settings add some visual appeal, and characters are pushed out of their comfort zones.
Lynden Barber surveys some of the top films in cinema over the holiday period.
Kenneth Branagh’s evocation of his life as a boy during Northern Ireland’s Troubles is a triumph.
Featuring an exquisite performance by Renate Reinsve, this romantic drama is a complex tragicomedy.
In November's On Screen column, Lynden Barber recommends a Tom Hanks maritime thriller, a Netflix drama on domestic abuse and a crazily scattergun Romanian film satire.
In this month's column, Lynden Barber recommends two police series and the ABC's drama on the 2019–2020 Australian bush fire emergency.
In this month's column, Lynden Barber surveys a beautiful yet brutal slave drama and a well-crafted thriller.
Lynden Barber surveys a trio of female-led stories in long-form television, both streaming and free-to-air.
Lynden Barber surveys British heritage TV and the continuing fascination with the world of Jane Austen.
This outback family adventure story turns the Crocodile Dundee fish-out-of-water story inside out.