Review: Innocence & Experience (Sydney Chamber Choir)
Allchurch leads his fine ensemble in meticulous style offering songs for comfort, for entertainment and for change, sung from the heart.
Shamistha de Soysa is a choral singer, pianist and writer. A retired medic, she runs the website SoundsLikeSydney, established and runs DocsVox NSW Doctors Choir, volunteered at Fine Music FM, and sang with Sydney Philharmonia Symphony Chorus for 12 years.
Allchurch leads his fine ensemble in meticulous style offering songs for comfort, for entertainment and for change, sung from the heart.
On what could well be his last Australian visit, Zubin Mehta talks about his six-decade career, reuniting with the AWO, Strauss’s tone poems and his love of cricket.
This concert delivers the sounds of Vienna with splendid playing, a unique sound and winning repertoire. Pass the Sachertorte please!
Blending new and old works, this versatile program was given a superb performance; it was a shame that some of the audience weren't able to see the musicians.
A beautifully-performed concert with a clever concept, connecting Bach’s music with speech and commentary.
A gilt-edged ensemble of soloists with superlative all-round ability and stamina deliver a performance of dramatic power and grim beauty in Verdi's seldom-seen five-act Don Carlos.
Pinchgut’s sumptuous production of Orontea – with its quartet of feisty females – is sparkling entertainment.
Antony Pitts leads The Song Company Apprentices through a stirring program of works from Antoine Brumel to Alice Chance.
The elite performers of Bach Akademie Australia gave voice to music which resonated with some of our most human and intensely held hopes, fears and joys.
This sublime concert of music by Monteverdi is a substantial program, expertly curated and performed.
Donizetti has created a marvellous piece of music through which he tells a dramatic tale, eloquently expressed in this concert production.
Two Renaissance masterpieces are bookended with two contemporary Australian compositions.
Enough of the clichés and hyperbole in concert advertising!