Review: Madeline Lee (State Opera South Australia)
A standout performance by Warwick Fyfe sees Madeline Lee soar.
In 2020, Vincent Plush marked his 50th year in music. Composer, conductor, teacher, broadcaster and events director, his passion for Australian music continues unabated. Currently based in Melbourne, he has been an advocate for a revival of the opera Voss for several decades.
A standout performance by Warwick Fyfe sees Madeline Lee soar.
A refreshing program full of uncompromising new music.
Vincent Plush pays tribute to the pioneering Australian composer, who died at the age of 74 after a ten-year battle with cancer.
Excellent vocal and dramatic performances in an updated production that preserves Offenbach’s deliciously frothy music and biting satire.
A birthday concert celebrating a composer whose music evokes vast visual and sonic dimensions.
Lyric Opera of Melbourne's new production of Barry Conyngham's 1984 opera about aeronautical pioneer Lawrence Hargrave is enriching and ennobling for all.
Kathryn Selby and friends – Daniel Dodds and Timo-Veikko Valve – deliver virtuosic playing and thought-provoking performances.
The 1986 opera by Martin and Peter Wesley-Smith returns as part of SOSA's The Lost Operas of Oz in a brilliantly conceived production.
A captivating exercise in listening, for players and audience alike.
A concert that signals the continuing blossoming and expansion of youthful music-making in Brisbane.
The inclusion of Andrew Schultz's opera at CIMF was an inspired stroke.
Erin Helyard produces an extraordinary palette of light and shade in this recital drawn from a manuscript brought to Australia by the artist and diarist Georgiana McCrae.
An impressive evening with pieces by two Australian composers, and persuasive performances by the young players.