Review: Mendelssohn, Mozart, Vivaldi, Bruckner (Fremantle Chamber Orchestra)
Rudolf Koelman adds exuberance and intensity to a Fremantle Chamber Orchestra concert shaping up to be less than the sum of its parts.
Will Yeoman is a former senior arts writer and current travel journalist for The West Australian newspaper. A regular contributor to Limelight and Gramophone, he is also Artistic Director of the York Festival and a keen classical guitarist.
Rudolf Koelman adds exuberance and intensity to a Fremantle Chamber Orchestra concert shaping up to be less than the sum of its parts.
Rutherford-Johnson illuminates the shape-shifting mycelial web of connections out of which Lim’s music emerges.
A moving musical tribute to two great women of the 20th century.
What do Claudio Monteverdi and David Bowie have in common?
Asher Fisch and his forces awake this behemoth with sensitivity and abandonment, portraying the epic life-and-death struggle as conflict, but also as progress and reconciliation.
Bychkov's new Mahler Five puts all the others in the shade.
Internationally renowned organist Joseph Nolan joins WASO for a blistering assault on music by Barber and Saint-Saëns, with Asher Fisch also leading a gorgeous account of Respighi's The Fountains of Rome.
Erin Helyard investigates the 18th-century London music market and the crucial importance of women.
This month’s performance highlights from ABC Classic, independent radio and streaming.
Andrew Mellor does an extraordinary job in teasing the Northern soul out of the Northern silence.
Under Finnish conductor Pietari Inkinen, WASO delivers a riveting Sibelius, some terrific Wagner and an evocative world premiere by Elena Kats-Chernin.
This month’s performance highlights from ABC Classic, independent radio and streaming.
Mozart's piano sonatas, performed on his own instrument by modern master Robert Levin.